Ras Kass - Rasassination

http://www.zshare.net/download/94780311c40b6ebd/

1. Endtro
2. Rasassination
3. Ghetto Fabulous (feat. Dr. Dre & Mack 10)
4. Lapdance (feat. RC)
5. (Skit #1)
6. Conceited Bastard
7. Ice Age (feat. Kurupt & El-Drex)
8. ...In a Coogi Sweatsuit (skit)
9. H2OProof (feat. Saafir)
10. It Is What It Is (feat. Jazze Pha)
11. Interview With a Vampire (feat. God & Satan)
12. Wild Pitch (feat. Xzibit & Jah Skillz)
13. OohWee!
14. All or Nuthin' (feat. Twista)
15. Grindin' (feat. Bad Azz)
16. I Ain't Fucking With You
17. Get at Me
18. The End (feat. RZA)

Like most everyone else in the hip hop world, I was massively disappointed when Ras Kass dropped this as his follow up to the indisputable classic, 'Soul on Ice'. This album was about as radical a departure as one could imagine, and as such, was universally panned by fans and critics alike. Its polished beats, poppy hooks, and more relaxed take on lyricism alienated Ras's original fan base in such a way that he still, to this day hasnt fully recovered.

You want to know a secret though? This album is actually pretty amazing in retrospect. I mean sure, its no 'SOI', but when not being held up against another body of work, and being taken in strictly for what it is, its actually a very solid record and suitable follow up. Its true the album took a more mainstream approach to the Ras Kass formula, but honestly it really isnt as radical a departure as one would think. I mean isnt it an artist job to continue to experiment and grow musically? Can anyone really blame Ras Kass for doing it big when a little more cash was thrown at him? The answer of course will vary from listener to listener, in my humble opinion though it was the natural evolution of one of the West Coast's finest mc's.

Looking back on the album I can honestly say there really isnt a weak beat amongst the bunch. The Dr Dre and Mack 10 featured 'Ghetto Fabulous' is a banging, ominous piece of production that matches Rassy perfectly. 'Conceited Bastard' sounds like it could have been a SOI outtake, and the title cut 'Rasassination' was so ahead of its time that we wouldnt see mc's and producers catching up to that sound until as late as 2006.

An album isnt solely defined by its production though, and as any Ras fan can tell you, the main draw for his debut classic was his flawless display on the mic. The Ras Kass we find here isnt as technically strong as the one on SOI, but he's still just as gifted. 'Soul On Ice' sounded like a man with the weight of the world on his shoulders, this album though sounds like someone who's happy to be living life and having a good time while doing it. Thats not to say that SOI Ras doesnt show up every now and again, just check the instantly classic cut "Interview With a Vampire ", this is the type of track that most rappers couldnt even begin to think of creating, let alone fully executing it. In fact you would be hard pressed to find a single weak verse form Ras Kass on this album, his performance as a whole stands the test of time and sounds even better today then it did on its release.

The main critisim that was thrown at SOI was that the production was lacking, some even found it outright boring, Ras Kass did everything in his power to fix that on this release and consequently had his fans turn on him for doing so, a real "damned if you do, damned if you dont" situation. But really this has been what Rassy's career has been about all along, from day one its been him against the world. Fuck it though, Ras has created and album with some of the strongest songwriting of his career, lyrically very few mc's can see him on this, and concept wise he's untouchable. I urge everyone who gave this a bad review (and even those who havnt heard it yet) to revisit this album with an open mind, I think you're going to be surprised by just how well this lp as aged.

Pro's
-Very strong production values
-Great songwriting
-Top notch lyricism
-Amazing concepts

Con's
-a potential shock for those coming straight off of 'SOI'
-If you're not a fan of a more polished, mainstream sound, then this may not do much for you

Overall 4/5

David Banner & 9th Wonder - Death Of A Pop Star

http://www.zshare.net/download/944478922f887757/


1. Diamonds on My Pinky
2. No Denying (Channel 3)
3. Mas 4
4. The Light
5. Slow Down (feat. Heather Victoria)
6. Be With You (feat. Ludacris & Marsha Ambrosius)
7. Stutter (feat. Anthony Hamilton)
8. Silly (feat. Erykah Badu)
9. Something Is Wrong (feat. Lisa Ivey)
10. Strange (feat. Big Remo)

David Banner has cemented his reputation as one of the most thought provoking, yet club ready mc's to ever emerge from the dirty south. Need proof? look no further then his debut lp "Mississippi". The albums two biggest singles rested on opposite ends of the hip hop spectrum. "Like a Pimp" knocked so hard it blew more then its fair share of speakers; while "Cadillacs on 22's" was a soulful; thought provoking ode to everything wrong in the south, and how with enough perseverance we can overcome just about anything. The biggest complaint I've ever had with Banner though is that he never seemed to properly fuse these two sounds together in to one cohesive record. His songs were very much a "one or the other" type of affair. I'm very happy to report that with this 9th Wonder assisted lp though, he seems to have finally found that perfect balance and fully matured as an artist.

One line in particular sums up David Banner perfectly. It's found at the very end of 'Diamonds on my Pinky; the albums opening cut. Over a brilliant 9th Wonder beat, Banner closes the song with:

"But im from Mississippi where you let your nuts hang/
and where the white folks let my ancestors do the same"

My jaw literally dropped when I first heard this. Never has a single rhyme so perfectly reflected what an artist is truly about. If someone were to ask me to describe David Banner then this is the first thing coming out of my mouth. The line has a bit of everything that banner is about. It has his nut grabbing bravado, his socially conscious mind frame, and his no nonsense; almost militant bluntness. This is the David Banner that is presented throughout the whole lp, he's sure to offend more then a few people, but for those willing to listen with an open mind its nothing short of an absolutely fascinating look in to one of hip hop's most interesting minds. Lyrically David's style never falters; this is going to be the album that proves his worth to all of his critics. In a single verse he covers more topics then most mc's do on their whole albums. He effortlessly bounces from in-depth, thought provoking lyricism, to all out shit talking and never once misses a beat.

....Ok well that's no entirely true. If Banner does have one fault on this album its in his flow. Ive always thought Banner had a superb flow in the past, but here it sometimes comes across and sloppy and rushed. I think I may have an explanation for this though. I've read interviews with long time 9th Wonder collaborator Murs in the past; he was the first to point out that that when recording with 9th Wonder you only get one take to record your lyrics. 9th believes that the more takes you do, the less fresh and live the verse will sound. Therefore even if the mc flubs, the verse is kept. Is this what happened here? I cant say for sure, but at times it does indeed sound like that may be the case.

Speaking of 9th, his production here is some of the best he's ever churned out. His signature soul sampling is still intact, but he finds new and interesting ways to customize his beats to better suite his Mississippi partner. These don't sound like beats that 9th just gave to Banner; rather something he crafted with David in mind. The end result is a very natural sound that showcases both artist raw talents. Really the only other negative that can be leveled at the album is the running time. Originally intended to be a mixtape this lp runs incredibly short at times. Some of the best tracks clock in at just over 2 minutes, and the album as a whole only runs about 30 minutes. Though it should be noted that I copped the Best Buy version which features an extra 3 track that extend the album by about 10 minutes.

As a whole the album is superb. Though I feel that with a little more work it could have been better. Had some extra time been taken to really polish the release it might have been an instant classic. As it stands though its a very short, very sweet ride that shows an incredible amount of potential for the future of these two. Fingers crossed that we get a more fleshed out follow up.

Pro's
-Flawless production
-Fantastic lyrics
-.....moves at a brisk pace?

Con's
-Sounds somewhat sloppy at times

-.....moves at a brisk pace?

Overall 4/5

KRS-ONE - Adventures In Emceein

http://www.zshare.net/download/93664154bcdbcff2/


1. Today's Topics
2. Our Soldiers
3. Money
4. We Dem Teachas
5. Better & Better
6. The Way It's Goin' Down
7. The Teacha Returns
8. The Real Hiphop
9. Watch This!
10. What's Your Plan?
11. All Right
12. Don't Get So High [Dancehall Mix]
13. I Got You
14. All My Love
15. Over 30 [Remix]
16. Getaway
17. Don't Give It Up
18. Gro---oh! (Hiphop Nation)
19. It's All Love
20. Wachanoabout


Albums like this frustrate me. KRS ONE has turned in what easily could have been his strongest album (or compilation since this is more of a collection of songs recorded between '04 and '07) since "I Got Next", but sadly it's crippled by being too bloated, and too unfocused. Patience is key though, and given you have enough patience to dig through this monstrous 21 track LP, then longtime fans and newcomers alike will find a very rewarding, very well crafted album from one of hip hop's greats.


The album starts off with a quick intro from Rakim; which is followed by what is essentially another skit/spoken word piece by Chuck D (Though Kris does end the track by spitting a few bars, it's hardly enough to be considered anything more then a glorified skit). The album gets its proper start with "Our Soldiers", the track finds KRS spewing venom over ominous sirens


What about the promises that were made?/
No one in America feels any safer, in fact we feel betrayed/
Over 200 family's played/
With an American flag and a letter that says your child got sprayed


"Money" is a nice surprise for longtime fans as it finds Kris briefly returning to his "I Got Next" flow while MC Lyte handles the hook with a spoken word flair (gotta appreciate the irony of this...KRS has Rakim, Chuck D, Lyte AND Nas on this album, and all any of them do is speak). "Better and Better" is one of the albums best offerings in my opinion.  The beat has a very dark; almost "Kill A Rapper" vibe to it, and KRS controls the production masterfully with his polished flow and lyrics. Sadly a throw-away verse from Pee-Doe will no doubt keep this one from showing up on any future "best of" compilations.


In fact it's worth mentioning that every guest rap here is pretty much throw-away. I hate to discredit the mc's, but honestly none of these guys are fit to be rapping alongside the Blastmaster; this is especially true considering how on point Kris is for most of the lp. It's the little things like this that begin to add up and derail the lp. For example did we really need an remix to "Over 30"? Especially one that's wildly inferior to the original? Or how about the albums closer "Wachanoabout"; which is easily one of the worst songs KRS has ever had his name attached to. The track is a heavy metal/hip hop mash up that sounds more Necro then the T'Cha, and though Kris does an admiral job in riding this musical abortion it still has no place on this album, or any other for that matter.


There's also some more minor head scratching moments. Like the inclusion of two tracks both built around vocal samples of the word "Love". The album probably could have really done without "All My Love". The beat sounds almost like a cheap Cam'Ron throw away, and KRS doesn't really say anything of any real substance here. On the flip side though "It's All Love" would have been the perfect way to end the lp. The beat is piano driven, and when the hook drops you would swear the instrumental was something MF DOOM had cooked up.


Two more standouts I would feel bad without mentioning.  "I Got You" finds KRS at his absolute best over a minimalist beat that sounds vaguely like something Marley Marl would have produced. Later in the album "Gro---Oh!" comes storming in with thundering drums and claps that mesh perfectly with Kris's flow. If KRS and Madlib were to ever make a song I would imagine it would turn out like that. 


At the end of the day it's really up to you to make the best out of what's given to you. Not the highest praise ever given I know, but it really is worth it to take the time to listen to this lp in full and trim the fat for yourself. As it stands though, this is still one of KRS One's strongest albums and one that shouldn't be missed by any fan. The production is mostly on point, and aside from the disappointing guest spots the lyrics and flows are some of the best Kris has offered up in years. I truly wish KRS would have taken the time to cut the filler, but really you cant blame the man for wanting to give the fans their money's worth.


Pro's
-Surprisingly strong production that recalls the works of other great producers
-KRS is lyrically stronger here then he has been in years
-Unlike his other albums around this time (and after) Kris uses a wide variety of flows
-As always the T'Cha offers up a lot of positive and insightful lyrics


Con's
-Very weak guest verses
-Wasted (and misleading) features from Nas, Rakim, Chuck D and MC Lyte
-A handful of weaker songs kills the momentum of the album
-Way too bloated for its own good
-Some are bound to find Kris preachy



Overall - 3/5

Busta Rhymes - E.L.E. (Extinction Level Event): The Final World Front

http://www.zshare.net/download/936603677f03e579/


1. There's Only One Year Left!!! (Intro)
2. Everybody Rise
3. Where We Are About to Take It
4. Level Event (The Song of Salvation)
5. Tear da Roof Off
6. Against All Odds (feat.Flipmode)
7. Just Give It to Me Raw
8. Do It to Death
9. Keepin' It Tight
10. Gimme Some More
11. Iz They Wildin' Wit Us & Gettin' Rowdy Wit Us? (feat. Mystikal)
12. Party Is Goin' on Over Here
13. Do the Bus a Bus
14. Take It Off
15. What's It Gonna Be (feat.Janet Jackosn)
16. Hot Shit Makin' Ya Bounce
17. What the Fuck You Want!!
18. This Means War!! (feat.Ozzy Osbourne)
19. The Burial Song (Outro)


This album could have easily been a 5 star masterpiece had Busta shown a bit of restraint. Like most of his 90's work though this is simply too bloated for its own good. Bloated or not though this still stands as one of busta greatest achievements. You would think that at 19 tracks the album would be riddled with filler, but in truth its not. There are 2 skits that get their own track; plus a few more that are tacked on to the end of a few songs. Which is a shame because had the skits alone been trimmed it could have saved this album from dragging on too long. None of them are worth keeping, and the only real purpose they serve is to pad the running time.


As far as the music is concerned though? utterly amazing. The only bad track worth noting is song 5; "Tear da Roof Off". The song suffers from a flat out terrible beat courtesy of Swizz Beatz; this coupled with an annoying hook and awkward flow make the song a complete disaster. "Do the Bus a Bus" could have been done without as well (even if Busta's second verse is jaw dropping). Other then that though the album is near perfect. The production is masterful. "Where We Are About to Take It", "Everybody Rise", and "Gimme Some More" stand out as some of the greatest beats of the 90's. The rest of the production isnt far behind these classics and give the album a very diverse and live feel to it.


Busta turns in an equally strong performance. His flow is as off the wall crazy as ever, and his lyrics are tongue twistingly fantastic. Not so surprisingly the features are equally as good. Busta and Mystikal feed off of each others energy and turn in performances that would make MOP sound subdued. While later in the album Janet Jackson and Ozzy Osbourne don't sound nearly as out of place as one might imagine. The running times for these tracks also help keep the album moving forward. Some tracks clock in at 5 minutes or more; while others are just a shade over 2. It helps create a diversity that keeps the album's sound from getting redundant. 


Overall - I honestly think this is a fantastic starting point for people looking to get in to Busta Rhymes. The album straddles the line between mainstream and underground fantastically. The raw production mixed with Busta's poppy hooks and flawless flow create a truly one of a kind sound. My advice? take the album; chop the skits and track 5, and enjoy this for the classic that it could have been.


Pro's 
-Amazing Production
-Strong Songwriting
-Strong performance from Busta
-The at first odd Guest list turn out to be awesome.


Con's
-Track 5 is flat out terrible
-Too many skits tacked on kill the flow


Overall 4.5/5

C-Rayz Walz - Ravivpops (The Substance)

http://www.zshare.net/download/93658026d4656c2c/

1. Floe

2. The Essence

3. Guns And Butter

4. Protect My Family

5. Thug Melody

6. 86

7. The Line Up (Feat. Breezly Brewin, J-Treds, MF DOOM, Thirstin Howl III, Vast Aire & Wordsworth)

8. Buck 80

9. Battle Me

10. Elephant Gun

11. We Live

12. Yeah

13. Seal Killa

14. Dead Buffalos

15. Camouflage

16. 3 Card Molly

17. Revelations 15:2

I wasnt really sure what to think of C-Rayz Walz when this album dropped. Despite having an already impressive back catalog, this was actually the first release of his I ever checked out. I had heard his name mentioned countless times in the freestyle battle circuit, and he later caught my attention with his scorching verse on Cannibal Ox's 2001 masterpiece, 'The Cold Vein'. By the time this album's release rolled around I was completely immersed in the world of Def Jux. The record label was slowly and surely making me reassess what exactly it was I considered "Hip Hop" to be.

To make a long story slightly shorter....I pretty much copped this solely off the strength of it being a Def Jux release. I wish I could say I was down with Walz from the jump, but hey, better late then never, right? My first few sit downs with this album didnt turn out for the best. Sure it was an ok record, but I didnt really understand Walz as an mc. Was he a comical, punchline driven mc ala Eminem? Was he a social commentator and revolutionary like longtime collaborator Immortal Technique? Really I wasnt sure. Walz displayed so many different personalities all at once on this record, and to be honest it was a bit much to take in, it simply overwhelmed me and I shelved the album, not quite sure exactly what it was I had just listened to.

Revisiting the album years later though provided me with quite a shock. Coming back to this record with a more matured musical palette really opened it up for me. I finally understood the brilliance of C-Rayz's style. That being that it simply cant be fit in to any one category, his lyrics and flow evolve and change with every few bars and his mind is constantly shuffling a million different thoughts all at once. He bounces from clever punchline centered raps (see 'Battle Me': You work for who? so, I dont wanna get signed/my shadows chasing me, basically im ahead of my time), to heartbreaking revelations involving his past, on 'We Live' Walz shares...

Be Strong, the same thing I told my Mother/

With blood on her shoulder while she was holding my brother/

(We Live) where do-rags stay under the hat/

and you dont want waves, but the bandanna gotta match

Walz again touches the subject with greater detail on '3 Card Molly'

for the 5 times those dum dum's blast/

in the chest of my brother, that breath was the last one/

I dont believe it, my heart need a cast/

I told him "get out that lane cause it was too fast"/

Ain't it time to, cut these yellow lines/

the show must go on I got his younger brother on my mind/

Past tragic, wish I knew magic tricks/

I'd bring it back to the physical script/

And dreams is broke, he got smoked for coke/

in the form of rock What it made worse, he was on his own block/

At the funeral, I cried then laughed/

At the same time, my wrath, had me happy and sad

The album is littered with moments like this and every song finds us exploring a different personality of Mr. Walz. His songwriting is worth noting as well, C-Rayz proves himself to be one of the best songwriters the underground has to offer. At first I didnt think much of it, but months after my initial listen I found myself singing his choruses, something I can very, very rarely say for an underground mc. He plays with vocal inflections and melodies in such a way that you simply cant help but get his songs stuck in your head, its rather brilliant and ties his verses together to make the songs a cohesive entity, rather then random raps that were just thrown over the beats.

Speaking of which, the production is almost as brilliant as C-rayz himself. I would be lying if I said I knew who most of these dudes were, but they each turn in stunning performances. With beats ranging from absolutely haunting (the aforementioned 'We live') to light hearted and playful (Floe). 'Elephant Guns' and 'Dead Buffaloes' also stand out as utterly amazing instrumentals. Much like C-rayz's verse, every beat serves a purpose on this album and each and every one is put to use in the most effective manner. Couple all this with a classic Posse cut featuring a show stealing Verse from MF DOOM (The Line Up) and you have what is easily one of the best albums to come out of the Def Jux camp.

The only negatives I can find are the running time and the immense amount of depth that Walz displays on the mic. Firstly, at 17 full tracks, most of which clock in at over 4 minutes, the album can start to drag in the second half. Its not that the music is any less effective, its just that with such long running time it really takes a certain level of dedication to get through it all in one sitting. Walz himself can be a very hard mc to get in to, his quirky voice and flows can make him hard to understand at times, and his lyrics often take multiple listens and rewinds to decipher. People such as myself will love this, others wont bother investing the time to see the end reward, shame really.

Overall the album is simply amazing, its one thats going to take a while to grow on you, but given the chance im sure you'll fall just as deeply in love with it as I have. From the polished production to the catchy hooks, the album delivers on just about every level and is a must for underground hip hop fans.

Pro's

-Great flows and lyrics

-Very solid productions

-Well crafted hooks

-Interesting subject matter and concepts

Con's

-Album runs a bit long

-Its a pretty hard album to get in to, Walz is an acquired taste

-Walz sometimes has trouble focusing on one subject for long periods of time

Overall - 4/5

Eyedea and Abilities - By The Throat

http://www.zshare.net/download/93657531d0dc91ff/

01. Hay Fever
02. Spin Cycle
03. Time Flies When You Have A Gun
04. Burnt Fetish
05. Sky Diver
06. Junk
07. Forgive My Synapses
08. This Story
09. Factory
10. Smile
11. By The Throat

I almost feel the need to defend this album. Many critics and fans alike have been lukewarm towards this release, and I have to wonder if we had all been listening to the same album or not. I think the problem is that the majority of these people went in to this record with preconceived notions of what they were going to get. The simple fact of the matter though is that Eyedea had long since grown tired of battle rap. He had been doing it since before his official lp debut in 2001, meaning that he'd had 8 years of growth to showcase on this release. Eyedea gained fans with his experimental styles and wildly imaginative lyrics. He was always pushing the boundaries of hip hop and creating new sounds and styles; why people assumed he would shoehorn himself in to one genre, let alone one as simple and unimaginative as "battle rap" is beyond me.

The Eyedea we have on this album is, for all intent and purposes, a fully developed and realized artist. His choruses are amazing (as proven on the ridiculously catchy "Spin Cycle). His concepts are strong (see: Time Flies When You Have a Gun), and his lyrics are nothing short of brilliant (look no further then 'Forgive Me for my Synapses). He had reached a point in his career that most artist can only dream of; he was making music that would appeal to fans of any genre, and he was making it his way or no way at all.

The production is equally as strong. Abilities laces Eyedea with music that straddles genre's as effortlessly as Eyedea himself. Half Hip Hop, half Punk Rock, 100 percent amazing. The production meshes with Eyedea perfectly and creates a very cohesive and organic sound. I've seen many people complain about the running time, but honestly I just cant understand where they're coming from. E&A crafted an album with absolutely no filler. Meaning it may only be 30 minutes long, but each and every minute is absolutely essential. I'll take a brilliant 2 minute song over a lousy 4 minute one any day. Besides, the album is very obviously heavily inspired by classic Punk albums. Anyone who knows their music history can tell you that punk albums very rarely lasted over 25 to 30 minutes. If you want a bloated album that badly then by all means pick out any one of Master P's 'No Limit' releases.

But I digress. Lets not lose focus of the most important thing here, that being that the album itself is simply amazing. As it stands its very, very unappreciated, but ive no doubt in my mind that in the coming years this is going to be looked back at and given the props it deserves. E&A have created an album that exist outside of genre's, and indeed outside of time itself. A fitting end to one of the most underrated groups to ever bless us with music.
RIP Eyedea

Pro's
-Amazing songwriting
-Flawless lyrical performance
-Mind Bending flows
-Great production
-Engaging Concepts

Con's
-The album starts out with the weakest track it has, 'Hay Fever'. It should have been moved deeper in the mix, or replaced altogether.

Overall - 4.5/5

Everything You Need To Know About: The Remix Files

For those of you who may not know this about me; I'm a huge, huge, huge fan of remix's. Many times if presented with the Remix and the OG version of the same song I just dig right in to the remix. Why? Cant say for sure. There's just something about a producer taking a piece of work and presenting it in a different way, the way that he hears it in his head. I've just always found it very interesting to hear how different people interpret different songs. In Hip Hop it's pretty much the equivalent of doing a "cover song" from a band you love and respect. You take something familiar, and put your own fingerprints on it.

This leads us in to the newest segment for the site; The Remix Files. Over the coming months I will be trying to put together completely comprehensive mixtapes of any given producers remix work. My Goal with these tapes is to track down every hard to find remix, and put them all together for everyone to enjoy in one sitting. Hopefully with a little luck I can make it happen.

Some Random info to keep in mind.

1. Please, if you notice I am missing ANY remix from a compilation I urge you to bring it to my attention. Even if you're not 100% sure. I'm more then happy to do the leg work and dig for info on it.

2. No matter how thorough I am, I'm bound to miss some remix's. As such I plan to keep updating the mixes. I'll edit the original post with the updates letting you know what has been added so you can decide if it's worth your time or not. Also I wont make early adopters re-download a whole tape just to get an extra song or two. I'll also up them separately in the comments section bellow each post

3. There are some occasions where producers are credited as "co-producing" a song. for example; while working on the Erick Sermon compilation I ran in to two instances where a one song was co-produced by Parish (labeled as a EPMD remix), and one with DJ Premier (I'm assuming Preemo did the cuts). In both instances I will include these in the Erick Sermon comp. Simply because he had a hand in the remix, and is indeed credited for it. I'll try to point out tracks that are co-produced.

4. As with most anything on my blog. You are more then welcome to share these tapes with other people and sites. All I ask is that I am given credit and you link back to my page. Other then that have at it.

5. A lot of these mix's are super obscure and hard to find. Many time's I can only find mp3's that sound like absolute shit. I'm talking like 50+kbps (*ahem*...Ol Dirty Bastard - Give It To Ya Raw SD50 Remix). If you have a better quality version of a song then hook me up. I'll add it to the tape immediately. Again i'll add these updated songs to the comment section.

6. I will also be doing little mini compilations. Some producers only have like...2 to 4 songs they've remixed. So I might just up those in a little mini file just for the hell of it to hold dudes over for some of the bigger compilations. At some point I'll probably up them all in one bigger file to.

That's all for now. Keep checking back for updates. And as always, enjoy and spread the blog!